Her practice centers on the strange associative logic of consciousness: the way sensation in the body can unlock psychological worlds, how one image mutates into another, and how thought branches laterally rather than moving in a straight line.

Informed by a rhizomatic way of thinking, her work resists fixed hierarchies and singular meanings, allowing symbols, bodily sensations, absurdities, and visual contradictions to connect across multiple directions at once. She is drawn to oddity as a form of truth—to irrational leaps, distorted scale, and moments where perception is more revelation. Writing operates as a parallel practice for tracing these shifts, while music acts as an engine for rhythm, atmosphere, and emotional velocity. Across mediums, her work attempts to materialize a mind in motion: porous, excessive, contradictory, tender, and constantly reorganizing itself.